The recent split between gospel duo Vestine & Dorcas and their longtime manager M. Irene has reignited a broader conversation about the future of gospel artists raised within ADEPR, Rwanda’s largest Pentecostal church
For decades, many talented musicians emerged from ADEPR, producing songs that have inspired generations of believers. However, critics argue that while these artists dedicated their gifts to ministry, many were never equipped to build sustainable music careers capable of supporting themselves and their families.
Veteran gospel artists such as Mani Martin, Uwiringiyimana Théogène ("Bose Babireba"), Mugabo Venuste, Rushema Ephrem, and others are often cited as examples of gifted musicians whose contributions were significant, yet whose careers did not translate into long-term financial stability.
Although ADEPR previously established a committee led by Pastor Venuste Mugabo to explore ways of supporting gospel musicians, many observers believe the initiative produced few lasting results.
The success of today’s independent gospel artists, who can fill venues such as BK Arena, has strengthened calls for ADEPR to rethink its approach. Supporters argue that artists should be encouraged to protect their intellectual property, organize ticketed concerts, secure sponsorships, and generate income from their music while continuing to serve God.
Many believe that if young gospel artists are properly guided and empowered, they can build sustainable ministries that benefit both the Church and their families, rather than facing the financial struggles experienced by many of their predecessors.
As ADEPR moves toward celebrating its centenary, some observers are also calling for veteran gospel artists to be honored and for the church to introduce long-term strategies that help future generations of musicians thrive both spiritually and professionally.